
Nick Wells
Nick Wells was the Editor of Bass Guitar magazine from 2009 to 2011, before making strides into the world of Artist Relations with Sheldon Dingwall and Dingwall Guitars. He's also the producer of bass-centric documentaries, Walking the Changes and Beneath the Bassline, as well as Production Manager and Artist Liaison for ScottsBassLessons. In his free time, you'll find him jumping around his bedroom to Kool & The Gang while hammering the life out of his P-Bass.
Latest articles by Nick Wells

Larry Graham on when you really need to use a 5-string bass
By Nick Wells published
The godfather of slap bass says “I actually love playing a 5-string for other artists, but not for live shows”

Jeff Berlin: “Look at Jaco Pastorius: clearly a genius, but misunderstood”
By Nick Wells published
Jazz bassist Jeff Berlin debunks a myth surrounding Jaco’s early years

Lee Sklar: “If the drummer doesn’t swing – let him serve French fries in McDonald’s"
By Nick Wells published
Session legend Lee Sklar was asked to name his studio pet hates: sequenced basslines, Pro-Tools and lacklustre drummers came out on top

Mike Dirnt: “Even Flea told me he wanted to play a P-Bass live”
By Nick Wells published
Green Day’s Mike Dirnt reveals why so many top bass players switch back to Fender

How Billy Sheehan learned to slap
By Nick Wells published
“I could never figure out where those notes were coming from. Then I’d go see Victor Wooten and just give up!”

Watch two bassists shred-off using Tosin Abasi's selective picking technique
By Nick Wells published
Toby Peterson-Stewart and Jacob Umansky throw down: “Technique-wise, we really threw the kitchen sink at it”

Aguilar Agro Bass Overdrive review
By Nick Wells published
Back with a brand-new look, the Agro aims to cram Aguilar’s AG 500 overdrive channel into something you can stomp on

Epiphone El Capitan J-200 Studio Bass review
By Nick Wells published
Epiphone is aiming high with this new electro-acoustic bass

Nikki Sixx “played his butt off” on Dolly Parton’s upcoming rock album
By Nick Wells published
The country legend recruited Mötley Crüe's bassist for her tentatively titled Rock Star LP

Cliff Burton wrote one of Metallica’s heaviest riffs on a de-tuned classical guitar
By Nick Wells published
Kirk Hammett: “To this day, I think: ‘How did Cliff write that?’”

Steve Lukather: "The bassline was easy. It wasn't like I had to be Jaco Pastorius"
By Nick Wells published
How the legendary guitarist ended up playing bass on Michael Jackson’s Beat It

NAMM 2023: Dingwall Guitars launches the John Taylor Rio Dream Bass
By Nick Wells published
The new John Taylor Signature model salutes Duran Duran’s breakthrough album

Thundercat: “People are telling me to turn down, and I’m like, No! I’m trying to burn down the stage!”
By Nick Wells published
The 6-string superhero on his gigantic bass tone, and how he nearly set fire to the Sydney Opera House

10 reggae records that every bass fan should know
By Nick Wells published
The 10 best reggae albums from Jamaica’s main bass men. From Sly and Robbie to Bob Marley and the Wailers

Dunlop Cry Baby Bass Wah: the most recognizable effects pedal ever made?
By Nick Wells published
Classics don’t come much more heavyweight than the Cry Baby wah-wah and the 105Q Bass edition is no exception

Watch the trailer for Flea’s new podcast series
By Nick Wells published
First guests on the show will include Rick Rubin, Patti Smith and Thundercat

Paul McCartney: “Somebody whispered to me ‘That’s Nirvana. You’re Kurt.’ I couldn’t believe it”
By Nick Wells published
Bassist Krist Novoselic revisits the time the ex-Beatle fronted a Nirvana reunion gig

Geezer Butler: “Originally it was titled ‘Nib’, which was Bill’s beard and looked like a pen nib because it was pointy”
By Nick Wells published
Geezer Butler explains the obscure title behind one of Black Sabbath’s most recognisable riffs

Watch Vulpeck's Joe Dart break down Flea and Victor Wooten's slap bass technique
By Nick Wells published
How Will Smith brought back, er, slap: "The two main slap basslines of our generation were Will Smith samples..."

10 things you didn’t know about Carol Kaye
By Nick Wells published
She played for Elvis, Sinatra, Spector, the Beach Boys - but just how did she do it?

Should Bill Wyman have gotten a songwriting credit for The Rolling Stones (I Can’t Get No) Satisfaction?
By Nick Wells published
Bill Wyman: “The fact of the matter is that my bassline made the song just as much as Keith’s guitar riff”

Andy Fraser: “It was me trying to impersonate Pete Townshend, who was, to me, the all-time greatest chord king”
By Nick Wells published
How Free’s worst ever gig inspired one of the most iconic bass solos in rock

The Mu-Tron III: “Without it, there ain’t no Bootsy”
By Nick Wells published
Everything you need to know about the iconic stomper from Musitronics
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